Thursday 22 November 2012

List of Jack Ryans

With Skyfall still burning across cinema screens, the temptation to do a list of best Bonds is quite high. But that would be too easy, and you, my loyal readers, deserve better. So here instead, is a list of the actors who have played a slightly less popular literary hero: Tom Clancy's Jack Ryan

Name: Ben Affleck
Film: The Sum of All Fears

Affleck is on of those actors I don't find particularly endearing or affable, and this film did little to warm me to him. The bomb going off half way through the film was unexpected, but as a character, Affleck never really brought Jack to life. See what I did there? A little wordplay

Name: Alec Baldwin
Film: The Hunt for Red October


This one is certainly a classic film, and Balwdwin is pretty darn good, but in a film with the great Sean Connery, he was never ever going to be the star. Baldwin's Ryan isn't flashy or gimmicky, but he is efficiently convincing.

Name: Harrison Ford
Films: Patriot Games, and Clear and Present Danger

If there is one man synonymous with Jack Ryan, its Ford. He creates that perfect mix of seasoned agent, action hero and deep thinker, and it shows, as he is the only man to ever play the character twice


Honourable mention goes to....
Name:Chris Pine
Film: Jack Ryan

Though it hasn't been released yet, and wont be until 2013, there is already some buzz around it. I like Chris Pine, and I think in this type of role, he could add some real charisma. I guess we'll have to wait and see

TV Shows like Buffy aka Alternatives to Buffy

When Empire placed Buffy the Vampire Slayer at number one on their list of top TV shows, it was met with many a facepalm, myself included. But a recent re-watch has made me realise what an excellent show it was. Not top position mind you, but good very good nonetheless. It helped inspire a whole TV genre as we know it. So If you've just finished Buffy, and are jonesing for something similar, read on...

Angel

Obviously, first up we have the Buffy Spin-off Angel. There are many fans that never warmed to this show, sticking with Buffy to the end and then making a clean break from the Buffyverse. There are certainly difference: The high school setting is gone, and the soapy, romance element is substantially muted, but many of these are for the better. Buffy was about a young girl trying to lead a normal life whilst simultaneously competing with an overwhelming destiny which often felt like a burden. Angel is more about redemption, and atoning for the sins of the past. Its darker, and bleaker, but the trademark Buffy-style dialogue, wit and humour are all there. Its a bit like Buffy for grown-ups. A lot of fans were put off by the first series, which was much more violent, and had more of a noir-detective vibe. I personally liked it, but regardless, push on and in the subsequent seasons, the show becomes more and more like its sibling, especially the final season 5. In conclusion, Angel is a 100% necessary watch


Todd & The Book Of Pure Evil

This is a really bizarre show. Its set in high school and features a satanic book, which can be used to cast spells. The book ends up in the possession of various students in episode, who use spells for personal gain which invariably backfire. Todd and his crew of friends clean up these messes, whilst trying to destroy the book [although it flies away after each spell, which makes it tricky]. It features much more violence and bloodshed than Buffy, and there also isn't as much of a running story arch. The show is more of a horror comedy than a drama like Buffy, and is much much ruder. There is a profanity-free version they produce as well though, for before the watershed. And you have love a random small rile from Jason Mewes (Jay from Jay and Silent Bob)

Reaper

Reaper features an underachiever working in a bargain superstore, whose parents sold his soul to the devil. Now he's contractually bound to track down and return, escaped souls from hell, all with the help of his dimwitted best friends and coworkers. This one is squarely focused on being a comedy, and it takes a while for a series long thread to become apparent. The drama isn't great but Tyler Labine's Burt 'Sock' Wysocki is truly hilarious, and Missy Peregrym is crazy hot. Ray Wise rounds things out nicely as the suave, sharp-suited Devil. The second series was getting really good before it was abruptly cancelled. Typical.

Charmed

A bit more girly than Buffy, this is a show about three sisters who find out they are witches, and have a responsibility to find and stop various monsters and bad guys. The show is very Buffy-like in its monster of the week episodes, which give way to longer plot threads involving the human (read: relationship) drama of the main characters. It really picks up pace as the show progresses, although the last season is a little lacklustre. If you liked Buffy, this is well worth a look.

Supernatural

Two brothers drive across America hunting monsters. To say any more might give too much away. The show started out with Monster-of-the-Week Origins, but quickly moved onto a long and sprawling plot of death, destruction and conspiracy, which deeply draws you in. Its not profane, but it is graphically violent, and and can also be very funny and tongue-in-cheek. Characters are at the heart of the show, and its amazing that its in its 8th season but still only features 2 [maybe 3] main characters. It's a bit like Buffy [more like Angel] but with a lot of the high school drama/silliness and slayer slang ditched. Definitely watch this.

Tuesday 20 November 2012

Little known Principals and Laws of TV/Film

When TV geeks and nerds talk about TV and films, sometimes they'll slip in little terms for common principals, laws, effects and other trivia. Some of these started out as industry terms others as Internet memes, and some have been coined by critics, but they are all now collectively considered 'TV Tropes'. Here is a simple list of the most common ones, though an entire, exhaustive database has been archived at the fantastic site TVtropes.org

The Stormtrooper Effect

This is the phenomenon that occurs in films with allegedly expert snipers, who it turns out can't hit a barn with a bazooka. Its named after the Stormtroopers from Star Wars, who are mentioned several times as expert marksmen, yet never seem to hit anything. My favourite example is in Behind Enemy Lines, where Owen Wilson is seemingly chased by the world's worst sniper

Redshirts

This is the name given to the ancillary character in a film or TV episode, whose only purpose is to get captured or killed. The character has no back story and usually isn't even afforded a name. The convention is named based on episodes of Star Trek The Original Series, where the random person who died was always in a red uniform. The best reference to this is found in Galaxy Quest, where Sam Rockwell's character is a red shirt who is generically called "Guy".

Chuck Cunningham Syndrome

character suddenly stops appearing without formally being written out of the show, and is never mentioned again. The term comes from the above scenario occurring to Ritchie Cunningham's brother on Happy Days. Film examples are less common, but check our Toby Wiseau's "The Room". In the second half, the alleged best friend simply vanishes

The Other Darrin

This is the act of replacing the actor who plays a character with someone entirely different, as if nothing has happened. It comes
from Dick York replacing Dick Sargent as Darrin in Bewitched, and other examples are littered everywhere from Sunset Beach to the much celebrated The Dark Knight

Jumping the Shark

Happy Days strikes again! Jumping the Shark comes from an episode in series five, where the Fonz is involved in doing a water ski jump over a live shark. It was originally used to describe when a program becomes ridiculous and unrealistic because the writers have run out of fresh ideas, but has since taken on a more general definition, as the point where a quality show stops being any good and starts sucking. Which brings us to...

Nuke the Fridge

This one comes from Indiana Jones and the Kingdom of the Crystal Skull, specifically the scene where Jones survives a nuclear explosion by hiding inside a refrigerator. In many respects it now replaces the original meaning of Jump the Shark, ie the point where a drama becomes too ludicrous and unrealistic to take seriously anymore

Hanging a Lantern/Lampshading

This is a relatively newer Hollywood term. When something in the plot is stupid, ridiculous or non-sensical, a character often mentions or draws attention to this very fact ie. they hang a lampshade on it. The idea is to let the audience know you're aware of the absurdity, everyone acknowledges it, has a laugh and moves on. Its pretty stupid, but surprisingly common. Lost used this a lot, and its used to comedic effect in the 200th episode of Stargate SG1

Mook Chivalry

This term is essentially the idea that when a group of bad guys attack, they do so one at a time. Its so common now, we almost don't notice, but it was spoofed brilliantly in Austin Powers. My main man Roger Ebert refers to it as the one-at-a-time attack rule

Inverse Ninja Law
The  Inverse Ninja Law, along with  Mook Chivalry and  The Stormtrooper Effect, are collectively called the Principles of Evil Marksmanship.
The  Inverse Ninja Law is, generically speaking, the term used to explain how allegedly skilled and trained Ninjas, or indeed other warriors, are actually terrible in combat and easily defeated. The larger a group of these advanced and skilled warriors is, the more rubbish they become, serving as little more than cannon fodder. A good example is the hordes of secret warriors in The Mummy


Monday 19 November 2012

Timestamp!


Just a quick post to say that the Time Zone has finally been corrected, so the posts should now show they are published at the correct time. It was an easy fix, I've just been too lazy this whole time to do it!

Sunday 18 November 2012

Iconic Cars from Film and TV

Ecto-1
From the Ghostbusters film series, this 1959 Cadillac Miller-Meteor limo-style endloader combination car, the ambulance conversion, somehow ended up being the car of choice for four freelance ghost hunters. Its not as sleek as a lot of TV cars, but the retro feel, and the slightly calamitous look, fit the film series perfectly


KITT
From the TV show Knight Rider, Michael Knight's car was the Knight Industries three thousand, AKA KITT. The Knight Industries Three Thousand  in the remake was a Shelby GT500KR Mustang, but the one we all know and love is the original 1982 Pontiac Trans Am. Still a sleek car even by today's standards, it has inspired numerous add-on and conversion kits. If you own a Black Trans Am and you don't have a swiping red diode light strip on the front end...you're probably in the minority. Interestingly, the technology of a car with AI and control of systems, is getting more and more realistic with each passing day.


Black Beauty
The Black beauty was the car driven by Hero-disguised-as-hoodlum The Green Hornet, and thankfully the film remake of the old serial kept the same car, a modified 1965 Chrysler Imperial Crown. Large, daunting, sleek and beautiful, the car more than lived up to its name


The DeLorean
..or the DeLorean DMC12 to give it its full name. The DeLorean motor company only ever made one car, and it was a stinker and a half.Constant mechanical failures, and dodgy gear box, and issues with stalling at speeds over 20mph, it would normally have disappeared from the annals of history and been long forgotten by now. But then Back to the Future went and modified it with a flux capacitor, and its been a geek's dream ever since. The Gullwing doors, whilst not always practical, are also pretty cool.


The General Lee
The car used by good ol' boys Bo and Luke in the Duke's of Hazard, the car was either a 1968 or 1969 Dodge Charger. The car by itself, may not be something you'd give a second look at, but once you add the darker orange paintwork and the "01" to the side, its transformed into a little bit of awesomeness. But the less said about the confederate flag on the roof the better.


1989 Batmobile
There are enough batmobiles to fill up their own post, but for the purposes of this list, I felt I had to chose one. The Joel Schumacher era batmobiles always felt a bit gaudy to me, as if they had been designed for the kids toy shop. The tumbler may be more realistic, but its ugly as sin. It came down to a couple of choices, and while the old 1960s TV batmobile may be a classic,I don't think anything can compare to Burton's 1989 Batmobile. Its Gothic and dark and intricate, but still sleek and sexy. Its based on the chassis of a Chevy Impala but everything else was custom built for the film. Several people around the world have started up projects to attempt replicas


NemoMobile
From The Extraordinary League of Gentlemen, don't let the awful film put you off. The car itself looks like some crazy, Gothic sedan for royalty. The extra wheels are just one of a number of things that make no sense, but aesthetically, its so inspired that all sins are forgiven.


Aston Martin DB5
As with Batman, James Bond has driven his fair share of vehicles. The one that stands out as the classic Bond car for me is this little classic, which seems to be nippy and sleek whilst also quintessentially British, and classy. It was excellent to see it appear in the latest film Skyfall.