Saturday 8 June 2013

Top 7 TV character Aliases

7. Lars Honeytoast

This is Twitty's alias on kids TV show Even Stevens. Its nice to see La Baouf's sidekick get the alias rather than the lead. He uses it in the movie, and actually in the TV show as well, when buying shoes from a sneaky salesman

6. Anastasia Beaverhausen

I'm not a massive fan of Will and Grace, but I couldn't leave this one out. Will and Grace may be the leads, but the really loud, crass, over the top lines are usually Jack and Karen's. The show is full on innuendo, and Karen's alias is no exception: Anastasia Beaverhausen.

5. Regina Phalange


As generic as Friends may be, it still throws a nice nod to the geek crew. In various episodes, when Phoebe has to pretend to be someone else, she ends up bringing out her alter ego Regina Phalange. Interestingly she once even delays an aircraft from taking off, by claiming there is something wrong with the plane's 'Phalange'

4. Theodore K. Mullins

I think Winston from New Girl is a very underrated character. He's a wannabe smooth operator, who is also kind of a dork, but somehow he bridges this devide perfectly. He can be cranky without being an old man, and smary without being over the top. I've only seen season 1, but already Theodore K. Mullins has appeared twice, being both Nick and Schmidt's "lover on the down low"

3. H.E. Pennypacker or Dr. Van Nostrand. 

While Jerry Seinfeld sometimes went by the name Kel Varnsen, Cosmo Kramer did more than just change name, he dressed up for his part. His alias was either Dr. Van Nostrand, or H.E. Pennypacker, and often involved smoking a riduculous old pipe and wearing dated tweed jackets. Classic

2. Chuck Finley

The Alias of Burn Notice's Sam Axe character, it is used in every mission where he needs an alias. The name varies, be it Chuck, Charles or Charlie, but it never deviates. As Sam Axe himself once said, "Chuck Finlay is forver." The origin story of the name is found in the Burn Notice movie, 'The Fall of Sam Axe'

1. Art Vandelay

Its only fitting that the best alias of all time, be from the best sitcom character of all time. Step forward George Costanza. Throughout Seinfeld's run, Art has typically been an architect, a marine biologist, or an importer/exporter, and is always Costanza's go to alias. Even when pretending he was working for a corporation, he named it Vandelay Industries

Thursday 21 February 2013

Films you might not know were based on books Part 3

PHILIP K DICK SPECIAL!!!!!



Next
The first of 9 Philip K Dick Stories featured, this one is an action film about a man who can see into the future, but only for 2 minutes. The one exception is a vision of a beautiful girl he sees will walk into a diner at some undisclosed time. What develops is some kind of messy Sci-fi action hybrid search for a nuclear bomb, with a romantic thread thrown in for good measure. It is only very very very very very loosely based on the story, The Golden Man, which has nothing to do with bombs or action, but is instead a grim look at a future of mutants with abilities

Blade Runner
A classic, this is the story of a man hunting down android 'Replicants' in a dystopian future. The director’s cut takes some licence with the story compared to the original book, Do Androids Dream of Electric Sheep, but otherwise, it gets the tone about right. The key difference is the downplaying of the empathy boxes and the future religion Mercerism

Minority Report
Based on The Minority Report, this one features a Pre-crime division, which uses precognitives to detect crimes before they happen. When an agency member's name comes up in a future murder, he flees, and starts investigating a giant conspiracy, while calling into questions of predeterminism vs free fill. One of the better received of Dick's films, and back in 2002, the special effects were stunning

Total Recall
Whether its Farrell's CGI-heavy, political remake, or Arnie's paranoid, down and dirty original, both are based on the short story, We Can Remember It for You Wholesale. The original involves a lot of more of the "is it a memory or real life" questions that were toned back for ease of plotting. Being a short story, both films had to flesh things out a bit, with the original film being much truer to the source, than the remake, which removed all references to Mars

A Scanner Darkly
Probably the most faithful adaption of any of his works, this one was a rotoscoped animation which comes directly from the book of the same name, The film focuses on a drug addicted cop , living with addicts whilst undercover in the hopes of finding the supplier. It’s almost hallucinogenic, and sometimes hard to follow, as much of what you thought was true keeps changing.... a bit like most Phillip K Dick storied to be honest.

Screamers
Screamers is a bit of cheap special effects, B-movie if I'm being honest. It’s about a civil war being fought on a mining colony, where robot soldier have adapted to look like humans. Again we get the classic Dick questions, of who is human, and whose a robot, a fact which Roger Ebert claimed was the films only saving grace. Based on a story from the 50s called Second Variety

Paycheck
Quite underrated in my opinion, this one is about a man who end a long classified contract, with his memory erased. When realising that he has declined his payment, apparently of his own free will, he begins investigating into the job, which reveals a time travel based conspiracy. Smarter than the average action film, if a little dumbed down. Based on Paycheck, written the same year as Second Varity incidentally

Imposter
Based on a very short story of the same name, this is a classic example of not having enough plot. The original story of a weapons designer accused of being a cyborg and going on the run, had to be modified to give it more substance, but all the padding in the world couldn't help it feeling too insubstantial

The Adjustment Bureau
Probably my favourite film on this list, it is based on another short story, Adjustment Team, and involves a politician whose career and potential love are affected by random men in hats who make small changes to the flow of life to ensure it follows some pre-ordained plan. Again, it is only a loose adaptation, taking the basic idea of the original, and creating a more fleshed out story from it.

Wednesday 20 February 2013

List of Sitcom Floor Plans

 EDIT: I've received comments that these posts are by a user called Nik Neuk
Their deviant art website with more plans can be found here: http://nikneuk.deviantart.com
and face book page here: http://www.facebook.com/pages/TV-Floorplans-More/338092586285019

PLEASE SUPPORT this talented artist! The Site below allows you to purchase handmade originals:
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Originial post below:

Just a quick and simple post today. I was trolling the net, as you do, and I came upon some awesome illustrations by an artist called Inaki Aliste Lizarralde. I can't find a home page for him/her, but if anyone does, I'll be more than happy to link it up her.
However he or she is, Inaki has created some excellent blueprints/floorplans of apartments from popular sitcoms, aiming to be as realistic as possible

Friends

A classic sitcom. I love the question mark room, implying the door was shown in an episode, but the storage area never revealed

How I Met Your Mother

I'm not entirely sure about this one. The angle of the red couch seems a bit off to me

Will and Grace

Will and Grace's place looks spot on to me. I think there's one of Jack's floatin around somewhere as well

The Big Bang Theory

After some consideration, I managed to work out that the upper room is Leonard's, whilst the lower is Sheldon's. It means some of the scenes with knocking the walls don't make sense though

Seinfeld

I love how there is an alternate presentation. A very simple layout, for a simple sitcom. If only there was somehow a way to see Kramer's apartment

Frasier

This is so insanely complicated I barely understand it. I suppose that's why the Elliot Bay Towers is such an exclusive residence.

Breakfast at Tiffany's

From the classic film, here is an accurate representation of Holly Golightly's residence

The rest are Old/Girl shows that I don't watch/haven't seen, but I'll include for completeness' sake

Sex in the City


Three's Company


The Golden Girls

Thursday 31 January 2013

Films you may not know were based on Graphic novels

I like comics and graphic novels. There I said it. As far as I'm concerned, there's nothing wrong with them, they're just another medium through which to tell stories. Hell they're essentially another art form. Hollywood obviously agrees, since ideas from comics turn up in films all the time. Every now and then a random comic actually ends up being adapted into a film, a mere few examples of which are included below. So here we go: unlikely comic book adaptations-

Howard The Duck

One of few Lucasfilm productions universally panned by  fans and critics (the star wars Christmas special being another), this is the tale of a Duck from another planet essentially coming to earth and behaving like a jackass. I have to say I quite like it actually, though I don't thinks its too close to its source material, a 1070s comic strip of the same name

Whiteout

This Kate Beckinsale also features Gabriel Macht before he struck wider fame in the TV show Suits. Its essentially a murder mystery which takes place in the Antarctic, and is based on a graphic novel of the same name by  Greg Rucka and Steve Lieber

Road to Perdition

This Tom Hanks hit is all about redemption and revenge, set in prohibition era America. Its based on a monochrome graphic novel of the same name by Max Collins, who went on to produce an "in-betweenquel" as he calls it, called Road to Perdition 2. The graphic novel is sumptuously drawn and the film matches the tone expertly.

Art School Confidential

This comedy features a good old-school cast in the form of John Malkovich, Angelica Huston and Jim Broadbent. It is based on a Daniel Clowes graphic novel of the same name, though only very loosely. In fact, the film had the same Director and distributor as the film which came before it, which is found below.

Ghost World

This one is also based on the Daniel Clowes graphic novel of the same name, and is probably Clowes' most famous work. Essentially it is about the boredom of two socially awkward, isolated teenagers. I wasn't a massive fan of the graphic novel (of all his works, Ice Haven and Wilson are my two favourites, neither of which has been adapted yet), but the film holds very true to its source material

Surrogates

Bruce Willis in a sci-fi film satarire, it started out good btu then descended into cliche. The COmputer facelift done on Willis is pretty good though. Based loosely on a comic book series by Robert Venditti, its roots go even furtehr back to scifi novels from the good old days

300

When they made Sin City from Frank Miller's graphic novels, the visuals were a revelation. So much so in fact, that the computer generated sets and hyper stylised violence was repeated with 300. What a lot of people don't realise, is that 300 was also a graphic novel by Miller , albeit a departure from his usual work

The Crow

This tale of revenge has a wonderfully violent, Gothic style which inspired a generation of films. The production is now marred by the tragic death of Brandon Lee. For more of the same, look to The Crow comic book series by James O'Barr

Scott Pilgrim vs The World

Michael Cera stars as the titular hero of this reality bending story of a guy battling a girl's seven evil ex boyfriend in order to secure her love. Some people were instant fans of the film, but I never warmed to it. The main reason reason is it could never do justice to what is probably one of the greatest Graphic Novel collections ever written. Bryan O'Malley both wrote and drew all 6 volumes and incredible attention has been paid to every page. If you liked the film, in fact even if you didn't, GO OUT AND BUY THEM NOW. Seriously. The originals are black and white, but if that's putting you off, the success of the film has prompted their re-release in colour, volume by volume

Blade

The Blade trilogy tells the Tale of vampires fighting against humans, and the hybrid/good guy vampire Blade who fights for humanity. After a few duds, Wesley Snipes cleaned up in this role, but its actually based on a Marvel Comics character of the same name

Oldboy

Another revenge tale, this one is about a man held captive for years who, now free, finds his captors to determine why he was imprisoned. Oh yeah, and to exact violent vengeance. It is loosely based on the manga Oldboy, by  Garon Tsuchiya and illustrated by Nobuaki Minegishi

The Mask

The film that showed us Cameron Diaz in *that* dress, seemed a perfect vehicle for Jim Carrey's cartoonish shenanigans.  The crazed man with the green face and yellow face is actually based on a slightly darker Dark Horse comic book series by writer John Arcudi and artist Doug Mahnke

V for Vendetta

A dark story of a mystery figure in a white mask organising a rebellion against a neo-con state, this was the Wachowskis follow up to The Matrix films. Hugo Weaving is brilliant as always, and Natalie Portman showed impressive commitment by shaving her head. It is based on V for Vendetta by Alan Moore, but several liberties have ben taken. In the original there was an anarchist/fascist conflict set in the 80s, which the film transposes to the future with liberal/neo-conservative at its core. As with all adaptations of his films, Moore has disowned the work

A History of Violence

The story a seemingly ordinary guy who ends up an unlikely hero, prompting the return of elements from his dark gangster past, was stylistically shot by Croenenberg. Its something a dark, unsettling story, but is actually less brutal than the 1997 graphic novel John Wagner and Vince Locke upon which it was based.

American Splendor

There is a comic book element of style to this film, and its unsurprising, it is based on a long running series of autobiographical comics by Harvey Pekar. Paul Giamatti plays the lead character fantastically, and in the film, as in the comics, we see the story of a life which is remarkable in its mundanity

From Hell

Starring Johnny Depp, and Heather Graham as the world's most beautiful hooker, this is a fictional story based on Jack the Ripper. Again, its based on a graphic novel by Alan Moore, and again he disavowed it. With some of the dodgey accents on show, I can see why

Thursday 24 January 2013

Film of the Year Runner up 2012

The Film of the Year is to be announced in the next few days...but to whet your appetites, here's the runner up for 2012......

LIFE OF PI

An excellent film, that fell just short of takign victory, my review below will hopefully explain to you just how good it is:


"Unfilmable". Neologism though it may be, it’s a word which used to mean something, but with Ang Lee’s latest masterpiece, Life of Pi, he has well and truly banished the word to the past.

The "Crouching Tiger, Hidden Dragon" director is no stranger to films of quiet, haunting beauty, but even so, his take on Yann Martel's Booker prize-winning novel, Life of Pi, is an astonishing work of art, and a magnificent film in its own right.

The film is framed as a story within a story, which begins in French Pondichery, India, in a family zoo. The unfortunately named Piscine Patel wisely begins going by the nickname Pi, to avoid schoolyard bullying. When the Zoo runs into trouble, Pi must leave his newfound lover, and travel with his family and their animals, by boat to Canada. Disaster strikes when a storm hits, and Pi ends up the sole human survivor of the tragedy.  He is not alone however, being marooned on a rescue boat with a zebra, an orangutan, a hyena and a Bengal Tiger, all gloriously rendered in life-like CGI. The next 227 days are the true heart of the film, as they follow Pi’s struggle to survive and make sense of the tragedy, and his uneasy partnership with the tiger. While it may be amusingly named Richard Parker, this is no cute and cuddly critter, and the wild and savage nature of the beast is a strong theme that runs throughout.

To explain the plot much further is really to miss the point. The beauty of Lee’s film, is the way it uses such economy to tell a story that wonderfully ties together themes of loneliness, survival and religion.  While it may sound like a very bleak tale, there is much humour to be found, and ultimately the incredible journey of survival is enormously uplifting: a true testament to the determination of the individual.

Throughout the entire film, I was in a constant state of awe at the remarkable imagery, and the sheer poetry of the visuals. There is something fantastical about young Pi’s story and the film fully allows this dream-like element to blossom into fruition. I’m not much of a believer in 3D, generally seeing it as little more than a gimmick, but in Life of Pi, it is employed to flawless effect. Gone are the cheap scenes of objects hurtling out of the screen – this 3D serves only to enhance the beauty of the film, and the depth of the message it shares.

Finally, a review would not be complete without referencing the entirely excellent cast, praise first and foremost of which, must go to unknown Suraj Sharma. As the film progresses his weight sheds whilst his skin darkens from the sun and crusts from dry saltwater, but none of this is as shocking as the way his face hardens and his mannerisms fatigue. The character’s transformation is achingly real, and is all the more incredible when you realise, he was probably acting in an empty boat in front of a green screen.

In framing the tale, the character of mamaji tells the author, “I have a story that will make you believe in God”. For what it’s worth, Ang Lee’s film just might live up to that promise. A masterpiece

Tuesday 22 January 2013

5 Worst Zooey Deschanel Movies


Super quick post today. Zooey Deschanel has become something of a sensation ever since her sitcom New Girl was launched. She’s such a well known name now I think it’s easy to forget that she started out from very firm Indie roots. Unfortunately this wasn’t necessarily a good thing, and there’s more than a few questionable films in her back catalogue [btw Your Highness was at number 6]


5. The Go-Getter
A kid takes a road-trip in a stolen car to find his long-lost brother. Lots of random Indie coincidences and stilted, pointless conversations occur

4. Winter Passing
An actress needs publishing permission from her reclusive writer father, who prefers hanging out with groupie students. It’s actually not that bad, but it’s so full of dysfunctional family indie clichés it feels like you’ve already seen it

3. The New Guy
A dork at a new school reinvents himself as a cool guy. Its neither funny, nor clever, and even Eliza Dushku’s hotness can’t save it. DJ Quails isn’t a leading man for a reason

2. Live Free or Die
From some of the writers of Seinfeld, you’d expect good things, but alas this is slow to start, and quite muddled. Most importantly, not very funny

1. Flakes
Sooo boring I fell asleep in the middle. It has a great quirky concept about a restaurant which only serves bowls of various cereals – its as if they thought the premise was so good, they forgot about decent plot or even likeable characters. Christopher Lloyd should be ashamed

Wednesday 16 January 2013

Films you might not know were based on books Part 2

AKA the Books behind the films. We all know classic examples like The Godfather and Jurassic Park. Continuing from the last post, but here are a few more examples

Breakfast at Tiffany’s



Giving us one of cinema's most beloved characters, in Hepburn's Holly Golightly, this comedy romance about a cafe socialite had all the hijinks and infectious eccentricity of its source novella of the same name, by Truman Capote


The Blind Side



Launching Sandra Bullock back into the spotlight, this was basically the story of how any poor, uneducated black kid can make it in the world, as long  a rich white lady helps them....Okay so it wasn't really but that’s sometimes how it feels. Its the story of Michael Oher being effectively adopted by a Christian woman, and his rise in the world of High school football. It is loosely based on The Blind Side: Evolution of a Game by Michael Lewis, though the book itself features much more information on offensive football strategy with less focus on drama


Diary of a Wimpy Kid



There are a three of these films at the time of writing and I suspect there will be more to come. While they are essentially comedies about a small, wiley kid going through school without any great degree of popularity, and a dorky best friend, I feel the films can never replicate the books, just because of the format. The books are written as fake diaries, coupled with various drawings and doodles, and the combined effect presents a very very funny story, which makes you think back to your own youth. As amusing as scenes from the film may be, the first one in particular, they can never touch the emotional chord of the books. There are 7 in all so far: the  Diary of a Wimpy Kid series, by Jeff Kinney


Shutter Island



Scorsese reunited with DiCaprio yet again for this psychological drama about a missing person on an island housing a psychiatric facility. The fragmented narrative and multiple contradictions keep the suspense going, even if the eventual 'conspiracy'/'explanation' is fairly routine. The gothic, pulpy atmosphere is in close keeping with the source material, the best-selling novel of the same name by Dennis Lehane. Incidentally Lehane also wrote Mystic River, which also ended up being made into a film


Drive



This one may come as something of a surprise. The very deliberate nature of the directing and cinematography gives the impression that the entire endeavour is one man's distilled vision. The film tells the story of a mysterious man called The Driver, who lives by a set of precise rules, and takes driving jobs for criminals. Just as he is finding love with his neighbour, he ends up in the middle of a double cross over a bag of money and a bloodbath ensues. The Film is based on the novel Drive by James Sallis, one of two featuring his character The Driver. Short, dark, and gloomy, the novel isn't a linear story and includes many flashbacks and jumps, which in some way helps explain the style of its movie incarnation


Children of Men



Starring Clive Owen and set in a world where infertility is absolute, and there hasn't been a newborn in years, it follows a man trying to protect a pregnant woman, and eventually her baby. The premise is excellent, but the implications seem somewhat blunted by the pedestrian plot. This is in contrast to the novel, The Children of Men by P.D.James, which delves much deeper into the politics of this dystopia and the psychological and social implications


Brewster’s Millions



An underrated Richard Prior movie in my opinion, it may not be as caustic as some of this other works, or feature his great chemistry with Gene Wilder, but it is nonetheless a funny premise, carried off with aplomb. Essentially a man is given 30 million dollars, and told that if he can spend it all and have nothing left to his name in a month, he will inherit 300 million. Hilarity ensues. I was surprised to find that this was based on novel from way back in 1902 by George Barr McCutcheon, and surprised further to find that in all this time, it has been made into not just one, but ten separate films across the globe!


Doc Hollywood



A classic from the Michael J Fox back-catalogue, this is a really charming, enjoyable story of a hotshot young surgeon crashing his car in a rural South Carolina hamlet. Sentenced to community service, he ends up having to stay in the town and adapt to life at a slower pace, developing friendships with the locals and even finding love. If the plot sounds familiar, it may be because the Pixar film Cars used almost exactly the same story years later. Its a pretty faithful adaptation of What? Dead Again? by Neil B. Shulman, who in addition to being an MD, was also a producer for the film


Jaws



Now here's an unexpected one. A Spielberg classic which spawned far far too many sequels [which was nicely spoofed in Back to the Future II], one can only guess how many people have developed a phobia of swimming, oceans and beaches from this motion picture about a Shark terrorising a summer resort. It is considered monumental in the history of cinema, effectively being the first ever 'blockbuster', and it is based on Jaws by Peter Benchley. The novel has a lot of other subplots which were dropped for the film, which instead focused on the shark, and then men hunting it.


The Princess Bride



Another classic story, this one is a fantasy story about a pirate assembling a group to help him rescue a princess who was once his lover. It is based on a novel of the same name by William Goldman. The Book itself is presented as an abridgement of the fictional book ' The Princess Bride' by S. Morgenstern, with a fake forward and Goldman's comments running throughout. This atmosphere of silliness and irony permeates through to the film, which is unsurprising given that he adapted the screenplay for it. Some hold it in as high regard as The Goonies..more or less says it all


The NeverEnding Story



The first of a trilogy of Epic Fantasy films, it was based on a German novel, The Neverending Story by Michael Ende, which was later translated into English by Ralph Manheim. The story is of a boy in the real world who is reading a book which effects a fantasy world called Fantasia, which is being destroyed by 'the nothing' which is a lack of imagination in the real world.... it’s not actually as complicated as it sounds. It looks a bit dated now, but fun nonetheless. Incidentally the first film only covers the first half of the novel, and even then with some omissions. The remainder of the novel influences  the sequel, to some extent, but other plotlines have been made up and added in too


Forrest Gump 



Forrest Gump is a wildly popular film even now, and for many, it shows Tom Hanks at his acting finest. The film is based on the novel of the same name by Wilson Groom, published 8 years before the film was released. The film tried to stay relatively faithful to the book, but some of the plot had to be abridged due to time constraints, leading to the whole 'Ape called Suzie' and 'NASA astronaut' arcs being dropped. The sex was sanitized, as was the retardation angle. Groom was so disappointed with the film, that in Gump and Co, the sequel, he begins with the line, "Don't never let nobody make a movie of your life's story."